Wednesday, August 27, 2014

Hidden Frame Art Gallery

Welcome to This Place, a city of dreamers.

The Hidden Frame Art Gallery
Overland river flows through This Place, cutting the city in half on its winding journey to the ocean. North of the river, just beyond the pavement of downtown, is lush forest and suburban heaven. South of the river, however, is urban sprawl and wasteland. Marking the transition between these neighborhoods is So Place, named for it's relative location to the central hub of This Place.

So Place is a neighborhood overrun in recent years by a growing community of creatives and hopefuls. They come for the low rent and stay for the burning energy of others like them, all on the hunt for some great future. Part-timers and café loiterers make up the denizens of this emerging little borough. They are the artists.

And where there are artists, there is art. And where there is art, there are galleries. The Hidden Frame is one of these.

The large golden frame that marks the entrance catches the eye, contrasting with the plain building it's attached to. Every visitor must walk through the frame to get inside, each person momentarily a work of art. The frame is welded steel, spray painted to look precious. Commissioned by Lindsay Erstwhile - the fledgling gallery owner - it's an eye-catching frame on an otherwise bland street.

Two large windows flank the entry, displaying some of the wares from inside. They show off two romantic portraits of This Place's northern shore, painted in shining, textured oil. The paintings are nothing remarkable until you peek closer. The paint, far from sitting flat on the canvas, undulates and spirals with the motion of each scene. In one, the light of a dusky sky is sucked down into the dark ocean horizon. In the other, a roiling sea pounds the walls of an aged lighthouse. Brush strokes wash over the eyes like waves on rock. Like fleeting sunbeams in a technicolor sky.

Inside, the gallery is small and well air-conditioned against the day's heat. The pristine, white walls are packed with paintings. Though there are many pieces of work, each offers a unique perspective that claims the focus of the viewer. Over here is a painting of a teacup next to two hands holding one another. Details hint at a deeper, darker subtext - the lipstick on the cup, his jeweled cuff links, her bright red nail polish, the wedding ring on his hand but not on hers - all clues to a greater story.

Over there, on that wall, a posthumous painting of an old woman hangs next to the original photograph it was painted from. A plaque explains that the painting was done by the woman's granddaughter. It's a delight of flashing colors and creative abstractions surrounding an otherwise realistically painted figure. It's hard to understand what the artist was going for, but there is meaning here somewhere.

Each painting has a small placard with the artists' name and a price. Nothing is under five hundred dollars or over two thousand. Each artist is here for their big break, to be seen, to be paid. They work on commission, as does Lindsay.

She sits at a modern style desk just inside the door, reviewing a binder of submissions for her gallery. Her red hair hangs loose and curly around her angled face. She looks to be in her late twenties, still new and starry eyed, but stressed. This is the third year the gallery has been open and new competition is popping up every day. Lindsay used to trust her instincts, but she's wavering. Will next year favor landscapes? Portraits? Abstract? Or is there something else on the horizon - a new avant-guard waiting to overtake the art scene?

Lindsay sighs and closes the book, looking passed the glass of the front doors and into the potential future.

Outside the day wears to a close and the streets cool down. The gallery is open late because that’s when the art buyers come out. Lindsay sets out a tray of fine cheese and a bottle of cheap wine to entice them inside.

An older couple, in polo shirts and khakis - no doubt from West Main - take the bait and stroll around the gallery. As more people file in, Lindsay is all smiles and happy greetings, cheek kisses and banter. She sells five paintings before it's time to usher everyone out into the night.

Miss Erstwhile throws the empty wine bottle away, along with a few slices of leftover cheese. A small price to pay for finding art a home and earning her percentage. She locks up and crosses the street to her apartment building, where the rent is cheap and she can keep an eye on her gallery.

Streetlamps morph the display paintings into something new. In the dim lights of late night So Place, they are the dreams had by a young, hard-working idealist. In their corners, hidden just behind the frames and in the curling brushstrokes, are the stark black initials: L.E.

This Place is a podcast written, performed, and produced by me, Ree Callahan.

If you'd like to learn more about This Place, or even tour the city, check the description for details.

Thanks for visiting and don't be too shy to stop by again!

Wednesday, August 13, 2014

Mister Whip Ice Cream

Below is the transcript for the fourth episode of This Place. You can find the podcast at either YouTube or Soundcloud and the art at DeviantArt. Cheers!

Mister Whip Ice Cream
Mister Whip Ice Cream
Welcome to This Place, where hard work is rewarded.

Downtown, mere blocks away from the cupcake house, a giant ice cream cone emerges from the corner of an otherwise unremarkable glass building. It doesn’t take much room, and the design stands out on street of otherwise blocky structures.

It is made of textured fiberglass. Fibers weave in and out of one another, strengthening the façade and shining in the sunlight. The base has the criss-cross texture of a classic cake cone, to scale. It rises swiftly to bolster white whipped swirls above - expertly spun ice cream waiting for a hot day.

Today is such a day. The air is rigid with the sun's rays, kicked back up off of the asphalt and into the air. In a few minutes, when lunch hour starts and the ice cream shop opens, crowds will flock to this little gem. They will wait through their breaks for that smooth creamy-cold goodness - each person sweating in their button downs and chinos. On a hot day like this, it's worth braving the sun.

On the smooth side of the cone's rim, it says in bright red letters: "Mister Whip Ice Cream". The letters are lit from within and send ruby light scattering on the surrounding concrete. Patrons sit on wire chairs at small bistro tables, taking up sidewalk space, but no one complains. It's good for commerce and it's good for business.

Below the sign is the all-important service window where warm customers can order their cold salvation from peppy employees. There are two servers at any given time at Mister Whip - one for each window. Between them is the menu.

Three flavors of soft serve are available: Vanilla, Chocolate, and Vanilla-Chocolate Swirl. Peter Ivanov, the owner, believes in keeping it simple and he must be on to something, because customers just keep coming back. The shop also carries the usual additions: sprinkles, whipped cream, bright cherries, and a home-brewed chocolate shell that hardens mere moments after contact with the cold soft serve. None of the offerings could be called quirky or strange.

Inside, the shop is crowded with stacks of cake and waffle cones, with paper cups and plastic spoons, and, most importantly of all, the small fleet of soft serve machines that make the beating heart of this business. They are only a few years old, and the chrome still shines against fluorescent lighting. Each has three levers - one for each flavor - and add their humming tones to the background noise of the ever-present air conditioning units. The room smells like vanilla and sugar with distant undertones of bleach and windex.

The walls are brilliant white, and scrubbed on the first Monday of every month - the only day the store closes. Mr. Ivanov believes that every day the store is open is a good day, but more than that, he believes in cleanliness. So the store closes on one maligned day every month and the patrons must go without. The next morning, however, they are welcomed once more to try any of Mister Whip's offerings on their way to work or a movie.

In the back of the store is Mr. Ivanov's closet-sized office. It's kept closed when he is not around, because Mr. Ivanov is paranoid – a holdover from the old days in the mother country. On the desk is a photo with him and his wife. He's the smiling man in his mid-thirties with the receding hairline. His wife smiles too, teeth crooked, and beautiful blonde hair curling in the wind.

He usually keeps his desk very neat, but today there is a small box resting there, inches from the picture frame. The box looks just large enough for a few cookies or a cupcake and pink icing mars the white interior. Broken twine sits in his trash, and this box will later be buried there as well under paper bags and old invoices, where no one will see it.

The afternoon blaze fades, but Mister Whip Ice Cream is only heating up. The nighttime crowd is full of dating couples and bored teenagers looking for a little something sweet. The ice cream shop opens late and closes late, making sure to grab every customer it can.

One day, Mr. Ivanov hopes to franchise his start-up, and things are looking good. Costs are down and profits are up, which he hopes will mean more to American investors than his accent. He's left his European roots far behind to start this business, and is confident he will be rich someday. In the meantime, however, Mr. Ivanov will hustle. He will clean his store and sell his ice cream to eager customers willing to pay for a sweet chill on a hot day.

This Place is a podcast written, performed, and produced by me, Ree Callahan. You can find more on blogger, deviantart, and google plus.

Thanks for visiting, and don't be too shy to stop by again!


Download at Soundcloud

Look at DeviantArt

Watch at YouTube