Tuesday, July 29, 2014

Jerry's Junkers

Below is the transcript for the third episode of This Place. You can find the podcast at either YouTube or Soundcloud and the art at DeviantArt. Cheers!


Jerry's Junkers
Jerry's Junkers
Welcome to this place, a city of borders.

This Place was built at a crossroads between desert and mountain, forest and ocean. South of the river that bisects the city is the great, expansive desert where enterprising citizens are expanding the city boarders, one business at a time.

Out in the stark sun squats Jerry’s Junkers, an acre of parched land fenced in with chain links and barbed wire. Inside the gate is a fleet of ruined vehicles, waiting for human vultures.

Jerry protects his hoard of transmissions and engine parts jealously, with state-of-the-art security cameras and motion detectors. The entrance is an electronic gate that only Jerry has the code for. The man himself - short, hairy, and overweight - sits in the small, air conditioned building just next to the gate. Inside of the plank board shack, he watches a grid of small screens endlessly, monitoring his collection of twisted metal and broken chassis.

Each car on the asphalt was once new – shining glossy in the sunlight – but whether it was after an accident or a financial crisis, they had all ended up at Jerry’s, dull and rusting. Money-conscious citizens take the 213 loop from downtown or Route 65 from the North to get to Jerry’s, where they can seek out and buy car parts at a discount. Of course, Jerry offers no guarantees and charges a fee just for entering the junkyard. Each car is a promise that might pay off with a cheap repair or a rare part. But still, no guarantees.

The sun climbs in the sky and Jerry lowers the shade of his service window. He’s still accepting customers, but the sun’s rays are too strong to ignore for long. The western sea winds almost make it to the junkyard, but anyone coming to pick the carcasses of old machines should bring sunscreen and water. There’s no telling how long one might spend going from one line of ruined vehicles to the next.

This red truck still has its suspension, and that green sedan has a good gear box. This white SUV, on the other hand, is just an empty shell. Even the steering wheel and the seats are gone. The only evidence left that it once belonged to a person at all is the pink crayon scrawl on the inside of the backseat passenger side door: Dayla hearts Joey.

Near the front, hard to miss, is an old Ford. It was minted on the day Jerry was born, but he doesn’t know that. Old blue paint is faded to almost white. The tires are gone, and the headlights are busted out. Still, it sits and waits for just the right moment. Just the right… One day someone will find it and rescue it from the asphalt hell. One day it will be restored. Until then it will stand against the sand blasts and the rust. 

It is one of Jerry’s Junkers.

Media:
Download at Soundcloud

Look at DeviantArt

Watch at YouTube


Tuesday, July 15, 2014

The Main Branch Library

Below is the transcript for the second episode of This Place. You can find the podcast at either YouTube or Soundcloud and the art at DeviantArt. Cheers!


The Main Branch Library
The Main Branch Library
Welcome to this place, a historical town.

In the cozy, co-ed infested neighborhood of Cedarland sits the main branch Library. Founded by the great Rowans Brothers, the building follows the neo-classical trail of every other richly-patroned learning establishment. A basilica to knowledge, it has a great glass dome in the center and two bronze-roofed wings to house the tomes of the mid-nineteenth century. The masonry exterior has faced the ages with stoic grace; not one brick is out of place, none are crooked or cracked. Thickly paned windows glint with thin beams of sunlight that struggle through the shade of high-reaching Elm trees. Dish and Dash, two lions guarding the stairs, glare down through their identical manes of stone. The inscription above them reads: "In tempore, omnis cognito". In time, all knowledge.

Past the massive double doors and the creak of ancient iron hinges, a hazy rainbow reflects off of the marble floor, tinting the meridian star there. Light filters through the oculus of the dome: a stained glass wonder. Blue bits of sky rain down through painted cedar trees and flowers, sending a kaleidoscope of color rioting unexpectedly through the solemn hush of the library.

Mrs. Entler clears her throat. She's sitting at the great entrance desk where she monitors the card catalogue. Her stern face reflects on the desk surface of polished, petrified wood - a maze of wrinkles framed by thick black-rimmed glasses and white hair pulled tight and away. She's worked at this library for 70 years. Despite her gruff demeanor, she loves her job and would work there for 70 more if she could.
Past the hulking main entrance desk a herd of college students crook their backs over textbooks and notes. Finals are around the corner and the main branch library is here to catch the overflow from Place University. Occasionally, a mutter echoes through the main hall - asking for a pen or a worksheet.

Beyond the desks of students, the library continues back and back - dark shelves creating a manmade forest of musty books; the wood made paper then built back into some semblance of its old self, but infinitely more: The Lord of the Rings, The Chronicles of Narnia, Coniferous Forests: A Guide to Tree Planting. 

To the left an arched doorway, overseen by a blind stone cherub, marks the entrance to the children's wing. It's full of toys, brightly colored books, whimsy and more, ready to bring children to other worlds and teach them to love their imagination greater than anything else. Tiny chairs made for tiny bodies sit empty, waiting for the nearest elementary school to close for the day. 

The other wing hides the unsightly technology the Library is embracing. High-end computers line the curving wall, eager to serve the library patrons. There is no shortage and almost every chair is occupied. Modern, metallic shelves of popular DVDs and audiobooks take center stage, flanked by the very technology they require, ready to be checked out.

In the far corner, near the bathrooms, the microfilm reader stands alone - dusty and forgotten in an age of bright flashing lights and instagraphics. It's very old, but it still functions. Soon, the library will get rid of it.

Though the library is massive and old and mysterious, it thrives - because it changes, because it learns, because it is a safe haven. It has been here for an age, for an aeon. It will be here for one more.

Media:

Download at Soundcloud

Look at DeviantArt

Watch at YouTube


Wednesday, July 2, 2014

New Project

I get bored easily. This isn't a secret and if you didn't know, you do now. More than that, I really hate being bored. So what do I do? I complicate things.

It's not enough that I write. I love writing, but if it was all I did I think I'd go crazy. I'd pore over every phrase, every word, every letter. I'd drive myself nuts. To avoid this, I've been working on some side projects. One of them went live yesterday.


This Place Logo
This Place started out as a simple idea. There is a place in my head that I want to explore - a city made of all the cities I've ever lived. There are people, businesses, utilities, and parks. There are roads and regulations and lawmakers. There are neighborhoods with their own unique flavors and personalities. I wanted to find these places. I wanted to see them, to smell them, to meet the people. Eventually I wanted to share them; so This Place was born.

The project is an experiment in podcasting/art. I go through the city, one building at a time, and describe it. I want to build a mosaic, brick by brick and day by day, until a visit to this fictional place feels almost as complete as a visit anywhere else. I'm inviting the denizens of the internet to be tourists in the city of my dreams and memories.

I like to draw and I think of my illustrative work as a hobby to balance out my more "serious" creative drive to write. So, each little podcast comes with a drawing of that place. I also want to invite anyone who desires to contribute their art to This Place to do so. Whether that's drawing the people, or your own interpretation of the buildings. I want to see the "photographs" people might take while wandering around this little-big metropolis of mine. I'm hoping people will be interested and engage in my world, because I think a city is too complicated for one person to completely fabricate on their own.

This Place is my brain baby, and right now I'm nervous that I've put it out there. I'm worried no one will like it, that it will be mocked or bullied or worse - ignored. But this is the nature of revealing my labor of love to others. There is the distant, niggling fear of rejection and a tinge of anxiety because you can never know how people will react.

To escape my boredom, I have side projects. To escape my anxiety, I have writing.

Please, let me know what you think about my little project in the comments! I'm looking for any kind of feedback - the good, the bad, and the constructive. Also, if anyone has any experience doing something like this project, I'd love to hear your story about how it went!

[Note: This post is a cross post to my main personal blog at http://reecallahan.blogspot.com/ ]

Tuesday, July 1, 2014

The Cupcake House

Below is the transcript for the very first episode of This Place! You can find the podcast at either YouTube or Soundcloud and the art at DeviantArt. Cheers!

The Cupcake House
The Cupcake House
Welcome to this place, a city for nice folk.

Downtown, nestled between two tall, anonymous buildings of glass and steel is the Cupcake House. It’s the last of the original city structures - a literal house. The sign painted "open" swings between two white poles at the foot of the entrance path, beckoning visitors inside.

The cobblestone foundation marks a sharp contrast to the brightly colored home. Old fashioned siding is painted pink and the roof is faded purple shingling. It has been a long time since anyone has paid attention to that roof, and empty places mark missing shingles. Windows paned in delicate fanning shapes frame a warm light coming from within. All around, the smell of sweet baking fills the air like an intoxicating incense.

There is a small walkway leading to the front door and a set of stark, concrete stairs. No doubt put in because of city code regulation #318, barring wooden stairs from the facades of business. The white railing does its best to distract from the eyesore, standing bright and freshly painted. It almost succeeds.

On the sturdy oak door, a cupcake is painted in a fading green that matches the plain wooden sign overhead that reads, simply, "Cupcakes". There are no slogans here, nor banners, no neon or flashing lights: just plain paint. Look closely. Behind the color, the grain of the old tree is still visible.

The door is open and beyond it the house is one room. Overhead, the ceiling rises to curved rafters supporting the roof. To the left, paintings line the wall. In each is a unique cupcake, carefully rendered in vibrant color, and framed by the same dark oak that makes the door. The paintings overlook small booths, carved with shapes and swirls like clouds settled on the hard wood, leaving their impressions behind. Each table has a napkin holder - a ceramic cupcake with white paper tissue peeking out from a hole at the tip of the glossy frosting.

To the right of the door is a long, glass counter. On top are spinning platforms made of crystal and curled steel to hold the precious goods that the Cupcake House was built for. Inside the case is a rainbow of iced confections, each one a tiny dream in whipped swirls and curling fondant. Behind the counter is a line of cast iron ovens. Ancient technology and only useful to the few skilled with its workings.

One such, a woman, stands in front of the house at the window, swirling icing onto a single cupcake on a twirling platform. Her name is Maryanne. She is the short, stout, and very perky owner of the cupcake house after her own mother, and her mother's mother before that. They were the daughters of settlers. A dynasty of businesswomen maintaining their humble castle.

"Cherry Whip with rainbow sugar crystals," Maryanne explains, showing off the way the glittering sprinkles refract the light onto pink icing. She places a brilliant red cherry on top before gently positioning the cupcake in its own small box. After a flurry of nimble movement, the box is wrapped in colored twine and ready to deliver.

To whom? Perhaps it's a secret, because she doesn't say.

At the far end of the counter is an antique cash register in bronze and gold. The numbers are ivory, made long before the plight of elephants was known. The characters are as crisp as the day they were painted. Each cupcake is one dollar and twenty five cents, or ten dollars for a dozen. Cheap, but priceless. Receipts are written on faded yellow paper.

The wood floor creaks on the way out, and the sun is fading. It's time for the Cupcake House to close, and Maryanne changes the sign at the edge of the pathway before walking back inside to keep working at her trade, and her art.

This Place is a podcast written, performed, and produced by me, Ree Callahan. Thanks for visiting, and don't be too shy to stop by again!

Download at Soundcloud

Look at DeviantArt

Watch at YouTube